Nov 15, 2024 – Jan 11, 2025
Fay Ku
— Darkness Against the Glittering Sky
Contact us for pricing and availability.
Accumulation II, metallic color on black Stonehenge paper, 50.5 x 63 inches, 2010
Can’t Look, Can’t Look, graphite on drafting film, 12 x 18 inches, 2023
Coelacanth l, graphite on polyester film, 17 x 30 inches, 2024
Coelacanth Il, acrylic on polyester film, 22 x 30 inches, 2024
Cry Cry Cry, graphite, ink, watercolor and thread on Nepalese washi, 10.5 x 8 inches, 2023
Darkness Against the Glittering Sky, collaged graphite, watercolor on Yupo and single-color collagraph, hand constructed box with glitter wallpaper, 7 x 10 x 1 inches, 2023
Film Noir, graphite on drafting film on collaged paper, 14 x 10 inches, 2023
Horse I (After Han Gan), graphite, ink and watercolor on Bhutanese paper, 11.75 x 16 inches, 2024
Horse IV, cut decorative Indian paper on handmade paper, 13 x 11 inches, 2024
Joust (Hand of God), ink, watercolor, collage, sewn embroidery thread on handmade Japanese washi paper, 20 x 30 inches, 2022
Lit From Within, graphite on drafting film, glitter, on Japanese paper, 10.25 x 8.5 inches, 2024
Mouth Feel, graphite, ink, watercolor and thread on Nepalese washi, 8 x 10.25 inches, 2023
Mouths of Gold, graphite, oil paint and glitter on translucent drawing film, 30 x 42 inches, 2020
New Icarus, metallic watercolor on black Stonehenge paper, 50.5 x 72 inches, 2010
Pursuit, ink, watercolor, collage on handmade Japanese washi paper, 20 x 30 inches, 2022
Renaissance Profile II, graphite, image transfer and gold leaf on translucent drafting film, with archival wax varnish, 9 x 6.5 inches, 2023
Stretching In The Dark, graphite on drafting film on black Stonehenge, 13 x 16 inches, 2023
Tattooed Woman I, graphite, watercolor on Kizuki Sogemami on Hosho paper, 10 x 8 inches, 2024
Fay Ku
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“Darkness Against the Glittering Sky” is a curated selection of works spanning several years that represent my love of playing with materials and process within the drawing discipline. These works on paper incorporate paper and paper-like substrates, from traditional Asian papers to translucent drafting film, and processes from collage, hand printmaking and embroidery. While my subject matters are grounded in contemporary times and issues, I aim for a sense of timelessness in my work, reflecting my interest in art and cultural histories across diverse civilizations.
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Fay Ku is a Taiwan-born, New York City-based artist whose work is figurative, narrative, and connects with past and present cultural histories. She is the recipient of a 2007 Louis Comfort Tiffany Grant and 2009 New York Foundation for the Arts (NYFA) fellowship grant, and was a Finalist for the NYFA fellowship in 2023. She has exhibited both nationally and internationally including solo exhibitions at the Honolulu Museum of Art ( Honolulu, Hawaii), Marlboro College (Marlboro, VT), New Britain Museum of American Art (New Britain, CT), and Snite Museum of Art (South Bend, IN). Her work is in the collections of Honolulu Museum of Art, Marjorie Barrick Museum of Art (Las Vegas, NV), New Britain Museum of American Art, University of New Mexico Art Museum, and the Wadsworth Atheneum (Hartford, CT).
Ku is currently Visiting Assistant Professor at Pratt Institute, Brooklyn, NY, and for their Pratt in Venice Summer program, Venice, Italy. She has also taught at New Jersey City University and University of Nevada-Las Vegas, served on NYFA’s Artist Advisory Committee, and as a panelist on the U.S. Fulbright Student Program National Screening Committee, Brooklyn Arts Council, and other non-profit organizations. She attended Bennington College (Bennington, VT) for her B.A. and holds both a M.F.A. Studio Art and M.S. Art History from Pratt Institute, Brooklyn, NY. Ku is represented by H Gallery, Paris, France.
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I am at heart a drawer, though I often use materials and processes not traditionally associated with drawing. Whatever the media, I create worlds inhabited by women and children engaged in often troubling or even demonic behaviors. I am inspired by many historical techniques and styles—especially traditional East Asian art—but my narratives draw from contemporary concerns. They explore cultural, sexual, and political identities, power dynamics, social, familial, and internal conflicts—in short, the full spectrum of human experience. My work, while not autobiographical, is informed by my experiences as a woman and immigrant, as well as my interests in language, culture, histories and mythologies across various cultures.
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